The outer face of the shells is dark in color and represents pollution and everyday life that corrodes the human spirit. The inner surface of the plates, which is near water (a symbol of purity in Iranian culture and art), and has been removed from that rust, is made of a polished mirror, and is an expression of the essence of human existence, of peace and tranquility. In other words, the pavilion, with an impression of the main structure of the Shrine and the golden porch, is trying to be a narrator of peace seekers and their inner and outer pollution and purification to this land. In this way, it can play the role of a dynamic urban joint with a semitransparent and metaphorical structure, the common language of the physical and cultural layers of its substrate. In the inner experience, the user sees his own images in the interior space after entering and being placed there. The refraction of the users’ images as living parts of the space in the mirrored shells gives a different effect to the space. By being in front of the mirrors, the audience sees neither himself nor others at the same moment, and sees both himself and others; fusion and dialectic of the simultaneity of individuality and crowd, which is the basis of the Eastern mysticism. (Unity in plurality and vice versa, which is a reflection of thoughts and conscious minds of oneself and others). Watching and touching the water and the reflection of light and shadows, hearing the sound of water and the pleasant tune that spreads in the pavilion space; giving seeds to the birds in the outer part of the shells by people, are among the multi-sensory experiences. These remind the nostalgia of the presence and solitude in memorable spaces like the shrine of Imam Reza. These interactive tools make the space more alive and dynamic, while creating a collaborative feeling. This will be a lifetime experience especially for children, and it will give a more special color to this place